Looking to download Live in Berlin album online ? Released: Nov 22, 2010 , Sting launched Pop album Live in Berlin.
Album has 14 Songs, 1 Hour 15 Minutes available to download or listen
Download here http://www.musicdown.online/?d=1564#figjamloops111518
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Album songs list:
If I Ever Lose My Faith In You (feat. The Royal Philharmonic Concert Orchestra) [Live] 4:46
Englishman In New York (feat. Branford Marsalis & The Royal Philharmonic Concert Orchestra) [Live] 4:38
Fields of Gold (feat. The Royal Philharmonic Concert Orchestra) [Live] 3:35
Why Should I Cry for You? (feat. The Royal Philharmonic Concert Orchestra) [Live] 7:45
All Would Envy (feat. The Royal Philharmonic Concert Orchestra) [Live] 5:36
Tomorrow We'll See (feat. The Royal Philharmonic Concert Orchestra) [Live] 4:48
The End of the Game (feat. The Royal Philharmonic Concert Orchestra) [Live] 6:21
Whenever I Say Your Name (feat. Branford Marsalis & The Royal Philharmonic Concert Orchestra) [Live] 7:21
Shape of My Heart (feat. The Royal Philharmonic Concert Orchestra) [Live] 4:49
Moon Over Bourbon Street (feat. The Royal Philharmonic Concert Orchestra) [Live] 6:04
Mad About You (feat. Branford Marsalis & The Royal Philharmonic Concert Orchestra) [Live] 4:45
King of Pain (feat. The Royal Philharmonic Concert Orchestra) [Live] 5:39
Desert Rose (feat. Branford Marsalis & The Royal Philharmonic Concert Orchestra) [Live] 4:44
Fragile (feat. The Royal Philharmonic Concert Orchestra) [Live] 4:50
SOMETHING EDITORS’ NOTES
Recorded on September 21, 2010 during the tour supporting his album Symphonicities, Live In Berlin takes the orchestrations of that album onto the stage where the arrangements are allowed to breathe. It’s a way of keeping Sting interested in his material and it gives his audience re-imaginings of obvious hits such as “If I Ever Lose My Faith In You” and “King of Pain,” the fan favorites like “Englishman In New York” and “Moon Over Bourbon Street,” and fantastic deep album cuts. The Royal Philharmonic Orchestra and guests, Branford Marsalis and Steven Mercurio, make a comfortable musical bed for Sting to twist up his lyrical visions. He's in fine voice throughout and it’s his distinctive phrasings that lend songs like “The End of the Game,” “All Would Envy” and “Shape of My Heart” a passionate center. Despite the orchestrations, these songs are never overwhelmed. There is still an austere beauty at work where the notes left unplayed are just as important as the notes that are. This is a concise retrospective that should satisfy Sting fans and make them anxious for new material.
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